SW moves sensitive audio, lighting, and video, for a single load across town or a full North American routing, with the crews who built the show doing the loading.
Production equipment is not pallets. The people handling it have built the show they are carrying.
Cases get loaded in the order the room needs them, and the people handling them have built the show they are carrying.
A single move across town, or dates strung across provinces and states with the gear arriving ahead of the crew each time.
If SW supplies the equipment, transport is priced into the same scope of work. One quote, one project manager, one number when the routing changes.
Stock sits in Kelowna, Vancouver, Victoria, Nanaimo, Regina, and Penticton, so a truck is usually starting closer to your venue than you expect.
Cross-border routings need carnets, manifests, and a driver who has done the crossing before. Tell us the dates and we will tell you what the paperwork needs.
On a routing, the gear is scheduled to land ahead of the people who set it, so nobody is paid to wait on a dock.
Transport used to be booked on its own, with its own paperwork and its own contact. Inside SW it is logistics and transport, so the conversation now happens with the project manager running your show. If you need a move unrelated to a production, say so when you call and we will tell you straight away whether it is something we take.

Origin, destination, dates, and roughly what it is. If it is a routing rather than a single move, paste the dates in.